White Surfaces
A photograph has a way of telling a kind of truth. It wants to be objective in its heart, but it never really is. Life is too complex.
Perspective is one kind of truth. A photographer can use a long lens to extract a small detail out of a larger scene or to compress the distance between the objects in the frame. A wide lens might be used to gather more information into the frame, but often it's used to make a space look larger than it actually is. Also, what the photographer doesn't include in the frame is often as important, by its absence, as what he or she has included.
Color is another kind of truth. All of these images are of subjects that would normally appear white to our eyes. These colors exist because daylight balanced film is designed to render neutral tones under a narrow color temperature range. One way to think about these images is that the colors don't actually exist or wouldn't appear to the eye. This is a truth about the scene as it appeared to the film, but not necessarily to the viewer.